On writing

Write Now

Pick up the pen. Poise. Pause. Procrastinate.
Doubt and fear, crushing and inescapable.

A jumble of words and half formed ideas
Collide and clatter, shouting to be heard.

The pen hovers tentatively.  Quivering.
Unblemished paper white and intimidating.

A drip, a jot, a scrawl, a squiggle.  Something.
Slow and scratching, then gliding and gracious.

No longer virgin white.  Tinted.  Tainted.
Sibilance and semi-colons start to tell a story.

View original post

Flash Fiction Friday

Love a photo prompt  – 100 words

Image result for ladybird in rain

The hammering and clapping of the dragonfly’s wings grows closer as I scuttle towards the barren tree, my legs weak, my spiracles flapping violently. Before I reach the tree, I see the raindrop looming pregnant above me. I am trapped. My predator lands, its oversized head just a whisper away. I ooze my life source, releasing my foul odour into the air. It pauses. My moment. The air is heavy with unspilled rain. Can I? I spread my tremulous shell; my wings peep out nervously. The dragonfly’s engorged eyes glaze with confusion. I hover for a second and then…I’m free.

Editing and publication

Journeys book cover

I am very proud to announce that a book I have co-edited is now in publication. The anthology entitled: Journeys: A Space for Words is available to buy from Amazon and from Indigo Dreams Publishing LTD. So far it has been met with very kind reviews. James Nash said that: “Journeys contains a beguiling mixture of pieces which do that thing that the very best writing does, which is to give us insight into our own experience and the experience of others.” (Nash 2016)

Editing the anthology has been a very exciting journey as it has given me the opportunity to work with published and well respected authors such as Martyn Bedford and Char March. Also, I have been uniquely placed to nurture fledgling authors in the first stages of their careers and to help some of them see their work in print for the first time.

When I was first given the chance to develop the anthology, I was more than a little excited. Writing and people’s ability to transform words into worlds and flights of wonder is something that never ceases to amaze me. It was a huge privilege to read the high standard of work generated by our call for submissions.  As I know first-hand, sharing your writing and putting it forward for scrutiny for many people is like baring their soul. We each put a piece of ourselves into the words we commit to the page and I am honoured to have read so much of it in my capacity as editor.

The decision to have a unifying theme of ‘journeys’ seemed right from the outset of the project and it was a truly enlightening experience to read the array of responses generated by that one simple idea. “This theme, as we hoped it would, has attracted an eclectic mix of works, each of which, we feel, encapsulates different nuances of the idea of a journey. Within the compilation, there are pieces dealing with universal themes such as love, loss, growing up and growing old. And there are other interpretations: the journey of a missing scalpel; a stormtrooper at a service station, and a galloping wine bottle.” (Ed Brighton and Buick 2016)

So, if you want to take a look, please do click on the links below.

Until next time, Happy Writing 🙂

Amazon

Indigo Dreams Publishing

Ever wondered how to breathe life into people made of pen ink and punctuation?

The simple answer to that is that you have to get inside their heads. You have to put them in a variety of scenarios and see how they act, see how they react to the people around them. It isn’t enough to just write your characters in the confines of the scenes they inhabit. What do they do for fun? What was their relationship like with their parents? How did they feel about school? The list is endless. Just give yourself ten minutes with your character, a pen and a situation and see what happens.

At a recent character workshop run by the very talented author Susan Elliot Wright, one of the writing tasks was to write for ten minutes from the point of view of your character waiting for someone to arrive on a train. The only other stipulation was that they hadn’t seen the person arriving for a long time. At first, I stared blankly at my paper. That didn’t happen in my book and I was putting my protagonist in an entirely new situation. ‘There isn’t even a train station in Cedarthorpe,‘ I thought.

After the time was up, I was pretty happy with what I had written and found that I had learned something new about my character. She was wearing a necklace. She fiddled with it while she was waiting; it was a sign of nerves. And then my mind started to race. Why that necklace? Was it significant? Who had given it to her? Within that ten minutes, I had decided that this necklace mattered. This necklace had belonged to her sister who had died. It was a grounding mechanism that she touched when she was feeling out of control. It was silver and in the shape of a butterfly. I had found out something significant about her and it is currently being written into other parts of the novel. In sfeather-clipart-407-writing-using-a-feather-and-ink-designhort, it made her more real, more alive. Now, whenever I picture her, she is wearing that necklace.

Making a character a person is a massive undertaking but it is arguably one of the most important. Think about your favourite book, TV show, film. What is it that makes you want to find out what happens next? Usually because, on some level, you feel like you know that character and they matter to you. So, if you want your people made of pen ink and punctuation to have the same impact on your readers, spend some time with them and really get to know them.

Until next time, happy writing.

Laura Barnett and ‘Being Brave!’

I was excited for the opportunity to meet Laura Barnett at the Wakefield Literature festival back in September; I try and get along to as many local author events as I can. There is nobody better to inspire you than the ones who have ‘made it’ and inspiration was certainly the order of the day at this particular event.

Laura Barnett has recently published her debut novel The Versions of Us with overwhelming success. It is currently enjoying a renewed surge of publicity after being included in the Richard and Judy Spring 2016 Book Club. I was fascinated to hear Laura talk about her book; her inspirations for writing it and her journey from the last full stop to publication.

She was asked many questions about the book itself and her motivations for the plot and the characterisation. It was fascinating to learn that she wrote the book as one and not as three separate stories as one might have expected. For anyone who hasn’t read it, the book follows three versions of a life that might have been. One person asked her if she had a favourite version to which she responded good humouredly, “That’s like choosing a favourite child.”

I was particularly interested to hear about her writing life. She talked about the importance of carving out time for writing which can be something we all struggle to do. But, as she quite rightly pointed out, if it is important to you, you will make the time. Laura also talked about her writing routines and the planning techniques she had used when writing The Versions of Us. For anyone wanting to write, it is always intriguing to hear how published authors craft their ideas into words.

One anecdote that particularly stayed with me was when she talked about her experience of finding an agent. I imagined careful research; months of anguish and an array of rejection slips. But no. She picked a contemporary author she admired, in this case, Sarah Walters, and approached her agent. Luckily, the agent, Judith Murray, liked Laura’s work and her path to success began. From being accepted by the agent, her book has gone from strength to strength enjoying a spot as the Sunday Times number one bestseller. The book is also being optioned for a TV series; I will look out for that with eager anticipation.

Towards the end of the afternoon, I was lucky enough to speak to her personally and I told her about my own writing. I asked what her one piece of advice would be and she said, “Be Brave.” She went on to say that if you want to persue  a writing career, you have to say yes to things and put yourself ‘out there’. I really liked the advice and have tried to carry it around with me. As well as her advice, she kindly signed my book telling me to keep writing and keep dreaming.

I am sure we will see more from Laura as she builds her career as a writer and I, for one, wish her all the best.

On writing

Pick up the pen. Poise. Pause. Procrastinate.
Doubt and fear, crushing and inescapable.
 
A jumble of words and half formed ideas
Collide and clatter, shouting to be heard.
 
The pen hovers tentatively.  Quivering.
Unblemished paper white and intimidating.
 
A drip, a jot, a scrawl, a squiggle.  Something.
Slow and scratching, then gliding and gracious.
 
No longer virgin white.  Tinted.  Tainted.
Sibilance and semi-colons start to tell a story.